Quando ti chiamavo, il tuo nome mi tornava indietro intero.
Era musica, s\u00ec. Ma era soprattutto casa. Usciva dalla bocca e, prima ancora che tu rispondessi, io ero gi\u00e0 al sicuro.<\/p>\n
Oggi vorrei chiamarti ancora. Solo per sentire come mi viene la voce quando dico Mamma<\/em>. Mi manca il tuo sorriso quando rientravo tardi. Per tutti eri Signora<\/em>. Per me eri solo Mamma<\/em>. Oggi \u00e8 la tua festa, Mamma. E io non ho fiori da portarti al cimitero. Sei stata la migliore mamma del mondo. Non perch\u00e9 eri perfetta. Perch\u00e9 eri mia. Vorrei riprendere un discorso interrotto a met\u00e0 cucina, tra il sugo e i piatti. Ora posso solo scrivertele. E sperare che, da qualche parte, tu le legga. Mi mancano i tuoi baci, Mamma. Quelli sulla fronte quando avevo la febbre. Quelli veloci prima di uscire. Ti abbraccio forte, Mamma.<\/p>\n Auguri a te. Zaira Sellerio<\/p>\n Mum Today I would like to call you again. Just to hear how my voice sounds when I say Mum. I miss your smile when I came home late. To everyone else you were \u201cMadam\u201d. To me you were just Mum. Today is your day, Mum. And I have no flowers to bring you to the cemetery. You were the best mum in the world. Not because you were perfect. Because you were mine. I wish I could resume a conversation left halfway in the kitchen, between the sauce and the dishes. Now I can only write to you. And hope that, somewhere, you read them. I miss your kisses, Mum. The ones on my forehead when I had a fever. The quick ones before going out. I hug you tightly, Mum.<\/p>\n Happy Mother\u2019s Day to you. This text, written by Zaira Sellerio, is a letter with the power of a confession and the delicacy of a long-withheld caress. It is dedicated to Mother\u2019s Day and does not simply speak about a mother: it speaks of absence turning into presence, of a silence that continues to speak, of a memory that keeps breathing within everyday life.<\/span><\/p>\n The writing flows naturally between remembrance and nostalgia, without ever feeling forced. Each sentence seems to arise from something truly lived, as if it had remained suspended in time, waiting to finally be said. The result is a coherent and sincere emotional flow, avoiding any rhetorical artifice and instead relying on the simplicity of images: morning coffee, hands in hair, a button sewn at dawn, the \u201cyou are all here\u201d that weighs more than any words.<\/span><\/p>\n The heart of the text lies precisely here: the transformation of everyday life into an absolute emotional memory. There are no extraordinary events, and precisely for this reason everything becomes universal. The reader does not see only a specific mother, but recognizes their own bond, their own absences, the words left unsaid.<\/span><\/p>\n Also striking is the narrator\u2019s implicit growth: understanding arrives late, as it often does, and takes the form of an impossible yet necessary dialogue. It is not only pain: it is understanding, retrospective gratitude, the clarity of someone who finally \u201csees\u201d what they could not recognize before.<\/span><\/p>\n The closing, dedicated to Mother\u2019s Day and to all absent mothers, expands the text from the personal to the collective without losing intensity. On the contrary, it strengthens it: making it shareable, human, profoundly real.<\/span><\/p>\n It is writing that does not seek to impress, but to remember. And precisely for this reason, it hits with strength.<\/span><\/p>\n
Anche se so che non risponderai. Anche solo per quell\u2019attimo di attesa che mi faceva bambino.<\/p>\n
Mi mancano le tue mani nei miei capelli. Non per pettinarmi. Per contarmi. Per dirmi: ci sei tutto<\/em>.
Mi manca il tuo buonanotte<\/em> detto con la porta gi\u00e0 mezza chiusa, perch\u00e9 tanto lo sapevi che non dormivo.<\/p>\n
Eri quella che la domenica mattina faceva il caff\u00e8 piano per non svegliare nessuno, e poi si sedeva a guardarmi dormire con la tazza in mano.
Eri quella che mi cuciva il bottone alle cinque del mattino perch\u00e9 alle sei avevo il treno.
Eri quella che litigava con me e, dopo cinque minuti, mi chiedeva se avevo fame.<\/p>\n
Ho solo parole. E la colpa di tutte le volte che non te l\u2019ho detto quando eri qui.<\/p>\n
Grazie per avermi sostenuto anche quando avevo torto. Grazie per avermi amato senza farmi la lista dei miei sbagli.
Grazie per avermi insegnato che l\u2019amore non si merita. Si d\u00e0.<\/p>\n
Avrei mille cose da dirti. Che adesso lo so, che avevi ragione su tutto.
Che quando dicevi vedrai<\/em>, io non vedevo. E ora vedo solo te.<\/p>\n
Tutto quello che ho capito adesso che non ci sei pi\u00f9 \u00e8 questo: eri tu il centro.
Se cadevo, cadevo verso di te. Se ridevo, ridevo per te.<\/p>\n
Ti aspetto nei sogni per rivederti. Per sentire ancora la tua mano che mi sposta i capelli dalla faccia e mi dice: che bel figlio che c\u2019ho<\/em>.<\/p>\n
E auguri a tutte le mamme che non ci sono pi\u00f9, ma che la notte ci rimettono a posto le coperte anche se non le vediamo.<\/em><\/p>\nMum<\/h1>\n
When I called you, your name came back to me whole.
It was music, yes. But above all it was home. It came out of my mouth and, before you even answered, I was already safe.<\/p>\n
Even though I know you won\u2019t answer. Even just for that moment of waiting that made me feel like a child.<\/p>\n
I miss your hands in my hair. Not to comb it. To count me. To tell me: you are all here.
I miss your goodnight said with the door already half closed, because you knew I wasn\u2019t asleep anyway.<\/p>\n
You were the one who made coffee slowly on Sunday mornings so as not to wake anyone, and then sat watching me sleep with the cup in your hands.
You were the one who sewed my button at five in the morning because at six I had to catch the train.
You were the one who argued with me and, five minutes later, asked if I was hungry.<\/p>\n
I only have words. And the guilt of all the times I didn\u2019t tell you when you were here.<\/p>\n
Thank you for supporting me even when I was wrong. Thank you for loving me without listing my mistakes.
Thank you for teaching me that love is not earned. It is given.<\/p>\n
I would have a thousand things to tell you. That now I know you were right about everything.
That when you said \u201cyou\u2019ll see\u201d, I couldn\u2019t see. And now I only see you.<\/p>\n
Everything I have understood now that you are no longer here is this: you were the centre.
If I fell, I fell towards you. If I laughed, I laughed for you.<\/p>\n
I wait for you in my dreams to see you again. To feel your hand moving my hair away from my face and hear you say: what a lovely son I have.<\/p>\n
And happy Mother\u2019s Day to all the mothers who are no longer here, but who still put our blankets back in place at night even if we can\u2019t see them.<\/p>\n![\"Mamma](\"https:\/\/swissfederalism.ch\/wp-content\/uploads\/2026\/05\/ChatGPT-Image-May-10-2026-01_15_32-PM-1024x683.png\")
Review<\/span><\/h2>\n
The book \u2018Il coraggio \u00e8 femmina\u2019<\/em>\u00a0by Zaira Sellerio is now available on Amazon in Italian!<\/mark><\/a><\/span><\/h2>\n
![\"\"](\"https:\/\/swissfederalism.ch\/wp-content\/uploads\/2025\/03\/Il-coraggio-e-femmina-Zaira-Sellerio-Image-by-ChatGPT-300x200.png\")
<\/a><\/p>\n![\"K16](\"https:\/\/swissfederalism.ch\/wp-content\/uploads\/2020\/11\/FullLogo_Transparent_NoBuffer-300x145.png\")
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